Hola Peter por aquí otra vez, es fuerte el  contraste que tiene tu pieza con el número  de Pi

   Cuando vi  el símbolo del  número Pi cerrando la secuencia de cráneos me llevo a pensar en que el número Pi es como un símbolo religioso relacionado con algún  martirio tal vez,  un mandala cuya [...]]]>  

   Hola Peter por aquí otra vez, es fuerte el  contraste que tiene tu pieza con el número  de Pi

   Cuando vi  el símbolo del  número Pi cerrando la secuencia de cráneos me llevo a pensar en que el número Pi es como un símbolo religioso relacionado con algún  martirio tal vez,  un mandala cuya geometría provoca un viaje para la meditación. La  reflexión de  como se comportan estos  números es especial. Imagino a su potador meditando en las fracciones que se mueven al infinito cada vez mas pequeñas o, como si cada calavera fuera una raya del principio y el infinito.   Es también como la sección áurea. Ideas que abren puertas desde  razonamientos a otra lógica sin razón.

  Una bonita idea el integrar este número con las calaveras en la circunferencia.

   Con el tejido he decidido mejor  no ponerle en este caso los coches. Realice algunas pruebas que  me gustaron, serán para futuros trabajos, aquí te las muestro.

   Me pareció mejor colocar el tejido anterior dentro de este último, dos capas tejidas con  tramas distintas y dinámica  diferente , ambas concéntricas influyendo en diferentes aspectos al desenvolvimiento y carácter especifico a este objeto, espacio, tubo, tripa  

    Como bien decías antes  los tejidos y la cerámica siempre han estado presentes desde mucho tiempo atrás en todos los pueblos sobre la tierra. Formalmente  son demasiado comunes y remiten a un esfuerzo colectivo que elimina las diferencias y homogeneiza, Me parece  que por eso han provocando desdén, tedio.  En lo personal me gusta apreciar los tejidos  por las soluciones estructurales que resuelven  a partir de sus  elementos muy simples, endebles  y básicos, también por su permeabilidad  como filtros entre lo de afuera y lo de adentro permitiendo que ambos puedan ser lo mismo

    El poner estas dos tramas una dentro de otra con diferentes dinámicas separadas pero sumadas al mismo tiempo, me gusto porque en la conversación que hemos tenido ha sido muy agradable  encontrar coincidencias que  traemos  de épocas pasada en la historia, mas haya de  las fronteras  en las que hoy hemos vivido, en donde  la red  que le daba forma a esos lugares y momentos era otra diferente a la de hoy.

                                                                   Greetings  and good luck for all there.

     Hello Peter, again here. 

 Is strong the contrast that made the Pi number   with the object.

   When I saw the symbol of the number Pi, closing the sequence of skulls, takes me to think that number Pi is like a religious symbol related with martyrdom maybe, a mandala witch geometry cause the trip to meditate. The reflection of how is the behavior of this numbers is especial. I imagine the carrier of this necklace, meditating on the continuous fractions that move to the infinite in a very small place, or every skull is the limit of the beginning and the infinite. Is also like de golden section, ideas that open doors from reasoning to a no reason logic.

   Nice idea, this number with the skulls in a circumference

 With the weave I decide better not to put in this case the cars, I made some proves that I like, they will be for future works. Here they are. 

 

 

 

   

 

 

I think it was better to put the weave done before, inside the space of the last one, two layers weaved with distinct welt and different dynamic, both concentric having influence on  many aspects to the development and   specific character to this object, space, tube, gut.

 

   As you well said before weaving and ceramics always have been seen a long time ago in every town on earth. They are very common formally and remit to a collective effort that eliminate and uniform differences. I think this is the reason that they provoke disdain, tedium.  Personally I like to value the weaves because of there structural solutions that belong from there very simple, frail and basic elements, also because of its permeability, as filters between the outside and the inside, Letting be both the same

    To put this two fabrics one inside the other, each one with different dynamic separated but sum up at the same time, likes me, because in the conversation we have is very pleasant find coincidences that we bring from past periods in history, far away from the actual frontiers where we live today, where the net that gives form to that places and moments, was different of the one today.

                                                              Saludos y buena suerte para todos por alla

 

 

 

 

 

 

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almost everyone here suffered in some way. damage houses, fear, no light, no water, no communication, their loved ones lost.

soon i will be  in touch, thankfully all my friends and family are fine.

finally I think we have our art work!

The mirror, the ocean, your/my reflex, the war, the passion, the sound, the new world, the relationship, the tension… our poetry.

I agree to the title “10:04″. It’s an exactly information, but also emblematic, like the mirroring.

Voilà!!! Chegamos!!!

Bjs,

Heleno.

The sound is perfect. The intensity, the tension and the narrative that it describes is absolutely adequate to the context of our site specific.

Your sound it´s watching me.  And, through the sound I listen to Your presence. This tangent line, represented by the mirror creates the space between My existence and Your existence. 

What it’s [...]]]> Dear Heleno

The sound is perfect. The intensity, the tension and the narrative that it describes is absolutely adequate to the context of our site specific.

Your sound it´s watching me.  And, through the sound I listen to Your presence. This tangent line, represented by the mirror creates the space between My existence and Your existence. 

What it’s strong my presence?… The conscious of My presence through out my reflex on the mirror? Or the military sound from You coming into my direction towards my existence? 

In fact that mirror represents that tangent space and the cliché that something really exists behind it or beyond it…the mirror creates exactly that line where you believe you can be safe.

To colonize and to give independency was definitely a tension and warlike moment in the history of Brazil and Portugal. Both moments have created tensions and wounds, always, as you said because there was a lot of passion from the first site…

Beyond our changing about mirroring and other possibilities, I’m thinkin about a more delicate relationship between Portugal and Brazil. “Into” the colonizazion and indepence process, a lot of things ocurred and a lot of conflits (wars) too. Naturally, this happen until now. I think the continuous conflits (”stress”) are linked to an emotional/lovely idea: [...]]]> Dear Cristina,

Beyond our changing about mirroring and other possibilities, I’m thinkin about a more delicate relationship between Portugal and Brazil. “Into” the colonizazion and indepence process, a lot of things ocurred and a lot of conflits (wars) too. Naturally, this happen until now. I think the continuous conflits (”stress”) are linked to an emotional/lovely idea: “We only insuflate problems discution with those we love”.

The mirror can access our personal wars: is like the world see us.

Well, the sounds I’m dreaming are something warlike.

Please, listen…

una más feliz, en la larga lista de alegría y felicitaciones. he disfrutado mucho el intercambio universal!

me saco el sombrero por las organizadoras porque puedo imaginar lo que puede ser todo este caos, pero la recompensa final es tan enorme que supera todo sufrimiento en el camino. realmente creo que lograron armar un intercambio y nos [...]]]>

una más feliz, en la larga lista de alegría y felicitaciones. he disfrutado mucho el intercambio universal!

me saco el sombrero por las organizadoras porque puedo imaginar lo que puede ser todo este caos, pero la recompensa final es tan enorme que supera todo sufrimiento en el camino. realmente creo que lograron armar un intercambio y nos hicieron ver y participar de la hermosa gente que esta del otro lado del mundo, sintiendo, pensando o experimentando cosas con las cuales por alguna razón, nos identificamos o nos asombran con nuevas sensaciones…

en fin, suficiente sentimentalismo… espero verlos en méxico! GRACIAS A TODOS!

fran

I am finished too. Took new photos tonight(the one here is just for you). Tomorrow morning, first thing to the post office.

I like you finished work very much! I shall write more soon.

With love from awfully snowy Tallinn,

Ketli

I was looking at your pictures and I love all the textures you have, either physical or visual. Your last picture reflects visual texture along with thee gray shades…it is quite interesting. I have been working on our collaborative piece, and I’ ve also been thinking a lot about the idea of the grass is not greener [...]]]> Hey Agnieszka!

I was looking at your pictures and I love all the textures you have, either physical or visual. Your last picture reflects visual texture along with thee gray shades…it is quite interesting. I have been working on our collaborative piece, and I’ ve also been thinking a lot about the idea of the grass is not greener on the other side…. there are so many perspectives to it. I’m creating a hair accessory made with silver, nature elements and wire, trying to create harmony between each materials connotation and at the same time express my green thoughts. The position of the piece as it lays on the head gives more power and reference to the piece as well….

These are some pictures:

 

Congratulations to my colleagues, with my special [...]]]> Dear Andrea and Valeria, I am very thankful for your invitation for which I made 5 works entitled Anatomy of Thought as a result of my enthusiasm for this project. I congratulate you for the great work you’re doing and which I believe will conclude in a great success.

Congratulations to my colleagues, with my special thanks to Dani and Francisca with whom I had the pleasure to exchange some messages. To José Springer and to my partner Miguel with whom I’ve enjoyed sharing some thoughts.

In the image you can see one brooch from the series. This is the first image of my finished work I post in the blog and is dedicated to all of you.

With love, Leonor

Anatomy of thought on Martin Kullik, 2010

Yes life always presents things at times we cannot use them or so we think. I liked that we both had the idea to work with wood. And also that you were thinking of not making the pendants look heavy as I did. I thought I was ready, but as I looked at the [...]]]> Dear Ketli,

Yes life always presents things at times we cannot use them or so we think. I liked that we both had the idea to work with wood. And also that you were thinking of not making the pendants look heavy as I did. I thought I was ready, but as I looked at the work while making pictures for the cataloque I decided to change it and made it look more heavy.

I hope your daughter is feeling better and you will find the time to finish the piece. Although it was not always easy I really liked the rhythm we got into and hope we will continue after this will end. Unfortunately I am not able to go to Mexico anymore. but hope we will meet soon somewhere else.

Thank you

hey natalie!

how are you going?

we like your piece very much… interesting concepts and it is really beautifull. we will comment it a bit more later by mail.

we got the piece “Mestizo: por unas pocas monedas” (mestizo: just for few coins) done. I think a lots is a [...]]]>

hey natalie!

how are you going?

we like your piece very much… interesting concepts and it is really beautifull. we will comment it a bit more later by mail.

we got the piece “Mestizo: por unas pocas monedas” (mestizo: just for few coins) done. I think a lots is a consecuence of our conversation, wich I really love. lot of doors have been opened and learning process have beeing so fruitfull.

i put a in-process pic also.

we haven´t got time to answerd your post, but some of your questions are answered on both the on the piece work and text sent to your mail.

looking forwardisimo to meet you personally.

warm hugs and thanks a lot for this experience!!!!

claudia and nano